Kendell Geers 
Born in may 1968, 
lives and works in Brussels

 

solo exhibitions

2017

AfroPunk, Galerie Rodolphe Janssen with the collaboration of Galerie Didier Claes, Brussels

2016 

ProPaganDaDa, ADN Galeria, Barcelona, Spain

2015

SeaSonSinHell, Gallery ACB, Budapest, Hungary (Show and Lecture)

2014

Ani/Mystik/AKtivist, Goodman Gallery, Cape Town

The Intoxication of Being Kendell Geers, UnTubo, Siena, Italy (Show and Lecture)

Crossing the Line, Stephen Friedman Gallery, London

Solve et Coagula, Galerie Yvon Lambert, Paris

2013

AlphaBête, Galerie Rodolphe Janssen, Bruxelles, Belgium.

Endgame, Galleria Continua Le Moulin, Boissy-le-Chatel, France 

Stealing Fire from Heaven, Galerist, Istanbul, Turkey 

Kendell Geers 1988-2013, Haus der Kunst, Munich (monography)

2012

Songs of Innocence and of Experience

Goodman Gallery, Johannesburg, South Africa

The Marriage of Heaven and Hell

Chateau Blandy-Les-Tours, France

2011

Hellraiser, ADN Galeria, Barcelona

No Government, No Cry; CIAP, Hasselt, Belgium

Fin de Partie, Galleria Continua, Beijing (catalogue)

2010

Lady/God/Gift, Kendell Geers participation in the project: Domino Canibal, Contemporary Art Project Murcia, Spain (catalogue)

Third World Disorder, Goodman Gallery, Cape Town, South Africa

Handgrenades from my Heart, Galerie Rodolphe Janssen, Brussels, Belgium

2009

A GUEST + A HOST = A GHOST, Stephen Friedman Gallery, London

Irrespektiv, MART, Trento, Italy (catalogue) 

The Wasteland , Galerie Yvon Lambert, Paris

 

2008

Oficina Para de Arte A.C. , Guadalajara, Jalisco, Mexico 

Irrespektiv , MOCA, Musée d'art contemporain de Lyon, France (catalogue)

Irrespektiv , DA2 Domus Artium 2002, Salamanca, Spain (catalogue) 

PostPunkPaganPop , de Pury & Luxembourg Gallery, Zürich, Switzerland (catalogue) 

2007 

Kannibale, Galerie Yvon Lambert, Paris 

IrrespektivBALTIC, Newcastle Upon Tyne, United Kingdom (catalogue) 

Irrespektiv, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Gent, Belgium (catalogue)

Auto da fé, BPS22, Charleroi (catalogue)

2006

The word made flesh; Gallery Stephen Friedman, London 

2005 

Satyr:IkonGalleria Continua, San Gimigano, Italy 

The Fall, Sorry we’re closed, Bruxelles 

Hung, Drawn and Quartered, Aspen Art Museum, Aspen, United States (catalogue) 

2004

Hung, Drawn and Quartered, Contemporary Art Center, Cincinatti, United States (catalogue) 

Sexus, Cimaise et Portique, Albi, France (catalogue)

The forest of suicidesMACRO Museum, Roma, Italy (monography) 

In the flesh, Salon 94, New York

2003 

NOITU(LOVE)R , Castello di Ama per l’arte contemporanea Lecchi in Chianti 

Inferno, CCA Kitakyushu Project Gallery, Japan (artists book)

Terrorealismus, Migros Museum, Zurich 

The Prodigal son, Goodman Gallery, Johannesburg, South Africa 

Rogue States, Stephen Friedman Gallery, London 

2002

Grenzgänger, Gallery Luis Campana, Köln, Germany 

Mondo Kane, Galleria Continua, San Gimignano, Italy 

A Spy in the House of Love, Camouflage, Brussels, Belgium 

Sympathy for the Devil, Palais de Tokyo, Paris (catalogue) 

2001

Where Angels Fear to Tread, Delfina Project Space, London

Televisionaries, Würtembergischer Kunstverein and Schloss Solitude, Stuttgart, Germany 

2000 

Timbuktu, MAK, Vienna, Austria 

¡Ya Basta! Le Consortium, Dijon, France

Ex Africa Semper Aliquid Novi, Marian Goodman Gallery, Paris, France

Arte all’Arte V edizione, Volterra, Italy 

Inova, University of Wisconsin–Milwaukee, Milwaukee, USA 

Art Unlimited, Basel ArtFair, Basel, Switzerland 

1999 

States of Emergency, Vienna Secession, Vienna, Austria (catalogue) 

Heart of Darkness, South African National Gallery, Cape Town, South Africa 

Stephen Friedman Gallery, London

Project Rooms, Arco, Madrid, Spain

1998

Guilty, Fort Klapperkop, Pretoria, South Africa 

98.3, ArtPace, San Antonio, Texas, USA (brochure) 

Heart of Darkness, Gallery in the Round, Grahamstown, South Africa (brochure) 

1997

Memento Mori, de Vleeshal, Middelburg, Holland

1996

Black on the Inside (with Neil Goedhals), Galerie Metroplex, Johannesburg, South Africa

16 June 1976 (with Willie Bester), Goodman Gallery, Johannesburg, South Africa

1995 

Work on Paper, Chalkham Hill Press Gallery, Johannesburg, South Africa

W.C. , Villa Arson, Nice, France 

1994

Air de Paris (with Joachim Schonfeldt), Everard Read Contemporary & ICA & Market Theatre Galleries, Johannesburg,South Africa

We are Johannesburg Artists and Nothing More, Michaelis Art Gallery, Cape Town, South Africa

1993

The New Patron, Everard Read Contemporary, Johannesburg, South Africa

Threshold: The Exhibition, Everard Read Contemporary, Johannesburg, South Africa

Objects, Natal Technikon Art Gallery, Durban, South Africa

1991

Mediations, Goodman Gallery, Johannesburg, South Africa 

1988

Box Theatre, University of the Witwatersrand, Johannesburg, South Africa

Performances

2013

Red Snyper

Transformator, Zwevegem, Belgium

Red Snyper

Schlagstrom Festival, Berlin, Germany

2011

Red Sniper

Body Farm, Magasin 4, Brussels

2009

CODEX GIGAS

Starr Space, Brooklyn, New York

A House is Not a Home

La Calmeleterie, Amboise, France

2008

Oficina Para de Arte A.C.

Guadalajara, Jalisco, Mexico

PostPunkPaganPop

MOCA, Musée d'art contemporain de Lyon, France

LostLustLast

Performance and Installation, Royal Monceau Hotel, Paris (Destruction Party)

PostPunkPaganPop

Gallery de Pury & Luxembourg, Zürich

2007

CIMATIC/07AV/FestivalBrussels International Festival for Live Audiovisual Art&VJing

Beursschouwburg,Brussels

50 Jaar Vrienden V/H Smak

Ghent, Belgium

Festival 10 days off, the fucKINGFUCKS

Vooruit, Ghent, Belgium

Biennale Charleroi danse, Performance Kendell Geers and the fucKINGFUCKS

BPS22, Charleroi

2005

Cultuurcentrum Evergem, Belgium

Les Grands Spectacles - 120 Jahre Kunst und Massenkultur

Museum der Moderne Salzburg Mönchsberg, Austria

Elektra Festival

Montréal, Canada

Strange, Familiar and Unforgotten

Galerie Erna Hécey, Bruxelles

Dans le Collimateur

Dieppe Scene Nationale, Dieppe, France

2004

Criminal Brides

Buda, Kortijk, Belgium

Videozone

Center for Contemporary Art, Tel Aviv, Israel

Playlist

Palais de Tokyo, Paris

Opera Video

Galleria Continua, San Gimignano, Italy

2003

Rhythm and Chaos

Transart 03, Bolzano, Italy

Rhythm and Chaos

Beaulieu Art Gallery, Oudenaarde (group show)

Guests

curated by Luk van Acker, Handelsbeursgebouw, Ghent

Guided by Heroes

curated by Raf Simons, Z33, Hasselt

Prototype

Centre Pompidou, Paris

 

 

group exhibitions

 

 

2014

Divine Comedy

MMK, Frankfurt, Germany.

 

Ruffneck Constructivists

ICA, Philadelphia, US.

 

INSERT2014

Maati Ghar, Indira Gandhi National Centre for the Arts, New Delhi, India.


2013

 

Artifical Amsterdam

De Appel, Amsterdam

 

PostMortem

Forde, Geneve.

 

Beyond Liaisons

World Jewellery Museum, Seoul

 

My Joburg

La Maison Rouge, Paris, France.

 

Money, Sex, Power

Maison Particulière, Brussels, Belgium.

 

Celluloid Brushes

Ludlow 38, New York

 

2012

Struggle(s) 

4 Private collections, Maison Particuliere, Brussels 

Newtopia: The State of Human Rights 

exhibition for the City of Mechelen, Belgium (catalogue) 

Manifesta 9, The European Biennial of Contemporary Art 

Genk, Limburg, Belgium (catalogue) 

Néon, Who’s afraid of red, yellow and blue? 

La Maison Rouge, Paris (catalogue) 

2011 

CON AMORE — Leif Djurhuus Samling 

ARoS Aarhus Kunstmuseum, Aarhus, Denmark (catalogue)

NUNC, ET IN HORA MORTIS NOSTRAE 

Galerie Rodolphe Janssen, Brussels

Mémoires du futur, la collection Olbricht 

La maison Rouge, Paris (catalogue)

Spheres 4 

Galleria Continua Le Moulin, Paris 

It Won't Happen Again 

Galleria Continua, Beijing, China 

Super-Organism

CAF Art Museum Biennale, Beijing, China 

Terrible Beauty—Art, Crisis, Change & The Office of Non-Compliance 

Dublin Contemporary 2011, Ireland 

How to Philosophize with a Hammer 

White Box, New York, United States 

Big Brother, L'artiste face aux Tyrans 

The Palais des Arts et du Festival, Dinard, France (catalogue Glasstress, Eventi collaterali di La Biennale di Venizia, Venice, Italy  

Sympathy for the Devil

VanhaerentsArtCollection, Brussels, Belgium 

Eat Me

Goodman Gallery, Cape Town, South Africa 

The Luminous Interval 

The Daskalopoulos Collection, The Guggenheim, Bilbao (catalogue)

Celluloid Brushes 

Film Posters by artists, Etablissement d'en Face, Brussels 

2010 

Mexico Expected/Unexpected

MOLAA, Museum of Latin American Art, CA, United States

Je crois aux Miracles 

Collection Yvon Lambert, Avignon 

Idoles 

Le Moulin, Galleria Continua, Boissy-le Chatel, Paris, France 

The Right to Protest

Museum on the Seam, Socio-Political Contemporary Art Museum, Israel

Bare Life 

Museum on the Seam, Socio-Political Contemporary Art Museum, Israel

Wish List of a Young Collector 

Galerie Yvon Lambert, Paris 

Lust and Vice: The Seven Deadly Sins from Dürer to Nauman 

Kunstmuseum Bern, Bern , Switzerland (catalogue) 

Winter Show 

Goodman Gallery, Cape Town, South Africa 

México — esperado/inesperado 

B.P.S.22 - Espace de création contemporaine, Belgium 

Spazio, Dalle collezioni di arte e architettura del MAXXI 

MAXXI, Roma, Italy 

Bern Biennale 

The Museum of Fine Art in Bern, Switzerland

The 29th Bienal de São Paulo 

Brazil (catalogue)

Nieuwe Monumenten 

Middelheimmuseum, Antwerp (catalogue) 

Strengths and Convictions 

Nobel Peace Center, Oslo, Sweden (catalogue) 

UltraMegaLore-Fashion Icon 

Het Modemuseum Hasselt, Belgium (catalogue) 

One Shot ! Football and contemporary art 

BPS22 espace de création contemporaine, Charleroi, Belgium (catalogue) 

Dada South?

Iziko Museums Of Cape Town, South Africa (catalogue)

Contemplating the Void 

Guggenheim Museum, New York 

2009

SCRATCH!

ADN Galeria, Barcelona 

Visions of paradise: utopias | dystopias | heterotopias 

Berezdivin Collection, Espacio 1414, Puerto Rico

Art Foundation Mallorca 

CCA Andratx, Mallorca, Spain 

Fonction Critique, quelques apparitions diversement manifestees, sur une proposition de M.Fadat 

Aperto, Montpellier, France (Catalogue) 

Spheres 2009 

Galleria Continua, Le Moulin, Paris 

Locus Solus 

Galerie Yvon Lambert , Paris 

Re:Print, n.a.v. een grafisch werktraject in het Frans Masereel Centrum in Kasterlee 

Cultuurcentrum Mechelen, Mechelen, Belgium (catalogue) 

Hellwach Gegenwartig 

Ausblicke auf die Sammlung Marta, Marta Herford, Germany 

Dark Summer 

Galerie Rodolphe Janssen, Brussels 

Une collezione trasversale Da Duchamp a Nino Calos, da Cattelan a Entang Wiharso 

ALT Arte Contemporanea, Arte Lavoro Territorio, Spazio Fausto Radici, Alzano Lombardo 

A House is Not a Home 

La Calmeleterie, Amboise, France (catalogue) 

SONS Shoes Or not Shoes? 

Kruishoutem, Belgium 

Time of the Signs 

de Pury & Luxembourg Gallery, Zürich, Switzerland

Signals in the Dark: Art in the Shadow of War

Model Arts and Niland Gallery, Sligo, Ireland 

2008 

Artist-Citizen / Contextual artistic practices 

Cultural Centre of Belgrade, Serbia 

Chambre à part II 

La Réserve, Paris 

7+1Project Rooms 

MARCO, Museo de Arte Contemporànea de Vigo, Spain (catalogue) 

‘My Favorite Object’, Artists and Architects present their favourite object in the MAK 

The Viennaartweek, MAK, Vienna (catalogue) 

WALL ROCKETS 

New Flag Art Foundation Show, Contemporary Artist and Ed Ruscha, curated by Lisa Dennison, New York (catalogue) 

Collection Agustin et Isabel Coppel, Mexico: Expected/Unexpected 

La Maison Rouge, Paris (catalogue)

Betwixt 

Sofia Hultén curated by Richard Julin, Magasin 3, Stockholm Konsthall, Sweden 

NEON 

group show curated by Tania Doropoulos, Gallery Anna Schwartz, Sydney, Australia 

Bare Life 

Jerusalem's Museum on the Seam, Israel 

Neon Bible

Collection Yvon Lambert, Avignon 

Neighbourhood Secrets 

Kvadrat, Stavanger 2008 European Capital of Culture, Norway (catalogue) 

Person of the Crowd: The contemporary Art of Flânerie 

Neuberger Museum of Art, New York 

Signals in the Dark: Art in the Shadow of War 

Blackwood Gallery, Curated by Séamus Kealy, University of Toronto at Mississauga, Canada (catalogue) 

2007 

J'embrasse Pas 

Collection Yvon Lambert, Avignon 

Passage du Temps 

Collection François Pinault Foundation, Lille (catalogue) 

My Sweet Sixteen Party 

Galerie Rodolphe Janssen, Brussels 

Werchter Rock Festival 

Amuseevous project, Werchter, Belgium 

Hidden Cities 

Third International Architecture Biennale Rotterdam, Rotterdam (catalogue) 

African Pavilion 

52nd Biennale di Venezia, Venice, Italy (catalogue) 

Global Cities 

Turbine Hall, Tate Modern, London 

L’emprise du lieu 

curated by Daniel Buren , Domaine Pommery, Reims, France (catalogue)

One Colour 

Galleria Continua, Beijing, China 

The Freak Show 

Musée d'art contemporain de Lyon, France (catalogue) 

Stock Zero, Or The Icy Water Of Egoistical Calculation, Nicolas Bourriaud 

2 Moscow Biennale of Contemporary Art, Moscow (catalogue) 

1 Biennal of the Canaries islands 

Santa Cruz de Tenerife (catalogue) 

Emerging Wor(l)ds 

The Prague Contemporary Art Festival, Prague 

Il faut rendre à Cézanne... 

Collection Yvon Lambert, Avignon (catalogue) 

2006 

Only the Paranoid Survive 

HVCCA - Hudson Valley Center for Contemporary Art, USA 

Being, In Brussels 

Argos, Brussels (catalogue) 

SD Observatory 

IVAM, Valencia, Spain (catalogue) 

HUMAN GAME 

curated by Francesco Bonami, Fondazione Pitti Immagine, Stazione Leopolda, Florence,Italy (catalogue) 

A Fiction of Authenticity-Contemporary Africa Abroad 

Blaffer Gallery-The Art Museum of the University of Houston, Houston, TX, USA 

One Star Stop 

Galerie Erna HÈcey, Brussels, Belgium 

Take a Walk on the Wild Side 

de Pury & Luxembourg, Zürich (catalogue) 

Images Publiques 

1ère Triennale d'art public, Liège, Belgium 

Ballkünstler 

Museum der Bildenden Künste Leipzig, Germany (catalogue) 

The Flip Book Show 

Fotomuseum, Antwerp 

Taste. In Viaggio Con Le Diversità Del Gusto 

Stazione Leopolda, Firenze 

Metropolitanscape

Il paesaggio urbano nell'arte contemporanea, Palazzo Cavour, Turin, Italy (catalogue) 

DON JUAN alias Don Giovanni¹ or “Two plus two equals four” or “Lust is the only swindle I wish permanence” 

Kunsthalle Wien, Austria (catalogue) 

Exces, Nr.12 Beelden en lichamen in buitensporige tijden 

Z33, Zuivelmarkt , Hasselt, Belgium(catalogue)

Looking both ways 

Museum of the African Diaspora, San Francisco (catalogue) 

George Condo, Wim Delvoye, Kendell Geers, MRZYK & Moriceau, Thomas Palme, Gert & Uwe Tobias 

Galerie Rodolphe Janssen, Brussels, Belgium 

2005 

Lichtkunst aus Kunstlicht 

ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany (catalogue) 

War is over 1945-2005 la libertà dell'arte da Picasso a Warhol a Cattelan 

GAMeC – Galleria d’Arte 

Moderna e Contemporanea di Bergamo 

Italy (catalogue) 

ADAM 

International exhibition of contemporary art, Smart Project Space, Amsterdam (catalogue) 

Expérience de la durée 

Biennale d'art contemporain de Lyon 2005, Lyon (catalogue) 

Leaps of Faith 

Nicosia, Cyprus (catalogue) 

Daumenkino 

The Flip Book Show, KunstHalle Dusseldorf, Germany (catalogue) 

CCA Kitakyushu Artist’s Books 

Galerie Christophe Daviet-Thery, Paris 

Brussels South Airport 

Krinzinger Projekte, Vienna (catalogue) 

Manmano 

Galleria Continua, Beijing (China) 

10th year Anniversary Exhibition 

Stephen Friedman Gallery, London 

Dionysiac 

Centre Pompidou, Paris, France (catalogue) 

Looking both ways 

curated by L.A.Farell, Gulbenkian, Lisbon (touring show) (catalogue) 

Looking both ways 

curated by L.A.Farell, City Art Centre, Edinburgh (touring show) (catalogue) 

2004 

Wall Drawings

MMSU,16th International Drawings Exhibition curated by Branko Franceschi, Rijeka, Croetia (catalogue) 

Terminal 5 

curated by Rachel K.Ward, John F.Kennedy International Airport, New York City (catalogue) 

Stock Zero-Opera 

curated by Nicolas Bourriaud, MNAC, Bucharest, Romania (catalogue) 

Art in the Age of Terrorism 

Millais Gallery, Southampton, United Kingdom 

Channel Zero 

Curated by Katerina Gregos, Netherlands Media Art Institute, Amsterdam 

Democracy is fun 

White box, New York 

Transcultures 

The cultural Olympiad and the National Museum of Contemporary Art, Athens, Greece (catalogue)

Tijdelijk verblijf/ Séjour Ephemère/temporary residence 

Stedelijk Musea Kortrijk, Kortrijk, Belgium 

Ipeg bild.ton.maschine 

Künstlerhaus Bethanien, Berlin (Liquid Architecture) 

Looking both ways 

curated by L.A.Farell, Peabody Essex Museum, Massachusetts, USA (touring show) (catalogue) 

Cremers haufen.alltag,prozesse, handlungen: kunst der 60er jahre und heute 

Westfälisches Landesmuseum für kunst und kulturgeschichte, Münster, Germany (catalogue) 

The Ten Commandments 

Deutsches Hygiene-Museum Dresden, Germany 

OK, America ! 

APEX Art, New York 

Le Opere e i Giorni 

Certosa di San Lorenzo, Padula, Italy (catalogue) 

Not Done 

Muhka, Antwerp (catalogue) 

Art Unlimited 

Galeria Continua, Basel art fair, Switzerland (catalogue)

Visions of Paradise 

João Ferreira Fine Art, Cape Town, South Africa (catalogue) 

Looking both ways 

curated by L.A.Farell, Cranbrook Art Museum (touring show) (catalogue) 

Looking both ways 

curated by L.A.Farell, Peabody Essex Museum, Salem (touring show) (catalogue)

Les Afriques 

Tri Postal, Lille, France 

2003 

Synopsis III -Testimonies: between fiction and reality 

EMET, National Museum of Contemporary Art, Athens(catalogue) 

Looking both ways 

curated by L.A.Farell, Museum for African Art, New York, USA (catalogue) 

Poetic Justice 

8th International Istanbul Biennal, Haghia Sophia Museum,Turkey (catalogue) 

Black President: The Art and Legacy of Fela Anikulapo-Kuti

New Museum, New York (catalogue) 

A Fiction of Authenticity: Contemporary Africa Abroad 

Contemporary Art Museum St Louis, Missouri (catalogue) 

Opening Gallery Beaulieu 

Oudenaarde, Belgium 

Poëzie Zomer 

Opzij van het kijken, Watou, Belgium 

African Exile Museum 

Migros Museum, Zürich, Switzerland

 A Prove d’Ascolto 

Galleria Civica di Arte Contemporanea, Trento (catalogue) 

Time, art and architecture 

Biennal of Valencia, Spain (catalogue) 

Coollustre 

curated by Eric Troncy, Collection Lambert en Avignon, France (catalogue) 

Göteborgs Internationella Konstbiennal 

Göteborg, Sweden (catalogue) 

Next Flag 

Hans Bogatzke Collection, B.P.S.22, Charleroi, Belgium 

Thatcher 

The Blue Gallery, London 

HardCore, Vers un Nouvel Activisme 

Palais de Tokyo, Paris (catalogue) 

M_ARS – Art and War 

Neue Galerie am Landesmuseum Joanneum, Graz, Austria (catalogue) 

Salon des Refusées 

Fondazione Bevilacqua La Masa, Venice (Catalogue) 

Sted//Place 

Galerie Asbæk & Kastrupgardsamlingen, Copenhagen, (Catalogue) 

Observatorio #5 

Camouflage, Brussels, Belgium 

Next Flag 

B.P.S.22, Charleroi, Belgium (Catalogue) 

Video-Zone@LX 

Gulbenkian Foundation, Lisbon, Portugal 

2002 

Documenta 11 

Kassel, Germany (catalogue) 

Trauma 

Museum of Modern Art, Oxford (catalogue) 

The Short Century

PS1, New York, USA (catalogue)

Editionen Part One / 2002

Galerie & Edition Artelier, Graz, Austria 

Tutto Casino 

Villa Medici, Rome, Italy (Catalogue) 

To Actuality 

Bolzano, Italy 

Video-Zone 

1st International Video-Art Biennial, Tel Aviv, Israel (Catalogue) 

Refuge Tilflukt 

Henie Onstad, Oslo (Catalogue) 

Handlungsanweisungen - Instructions for Actions, (with Anri Sala)

Kunsthalle, Wien (Catalogue) 

...privat 

CHARIM GALERIE; Wien 

zeichen > <sprache 

Galerie Grita Insam, Wien 

Enactments of the Self 

Steirischiser Herbst, Graz 

Surviving Apartheid 

Maison Europenne de la Photographie, Paris 

2001 

ARS 01 

Kiasma, Helsinki, Finland (catalogue) 

Marking the Territory 

The Irish Museum of Modern Art 

Recasting the Past: Beneath the Hollywood Tinsel 

Main Art Gallery, California State University, Fullerton, California 

The Short Century 

Museum Villa Stuck, Munich, Germany, and touring (catalogue) 

Locus Focus 

Sonsbeek, Arnheim, The Netherlands (catalogue)

Skulptur – Biennale im Münsterland 

Kloster Gravenhorst, Hörstel, Germany (catalogue) 

Casino 2001 

1st Quadronnial of Contemporary Art, S.M.A.K., Gent, Belgium (catalogue) 

Trauma 

Dundee Contemporary Arts and touring 

Konverzacija 

Centre for Contemporary Arts, Belgrade, Serbia (catalogue) 

In cold blood 

State University of New York and New Palz, USA 

Short Stories 

Fabbrica del Vaporeo, Milan, Italy (catalogue) 

Berlin Biennale 

Jannowitzbrücke, Berlin, Germany (catalogue) 

2000 

Pusan International Contemporary Art Festival 2000 

Pusan, Korea; curated by Hou Hanru (catalogue) 

The Sky is the Limit Taipei Biennial 

Taipei, Taiwan (catalogue) 

3 Räume – 3 Flüsse 

Hann.Münden, Kassel, Germany (catalogue) 

The Invisible Touch 

Kunstraum Innsbruck, Austria 

Echigo-Tsumari Art Triennial 

Japan (catalogue) 

VideoBrasil International Electronic Art Festival 

Sao Paulo, Brasil (catalogue) 

Acts of Resistance 

Koldo Mitxelena Kulturunea, San Sebastian, Spain (catalogue) 

Untitled (Sculpture) 

Luhring Augustine, New York, USA 

Inverse Perspectives 

Edsvik konst och kultur, Sweden 

Positions Attitudes Actions 

Foto Biennale Rotterdam, The Netherlands (catalogue) 

Atmosfere Metropolitane 

Openspace, Milano, Italy 

Memórias íntimas Marcas 

MUHKA, Antwerp, Belgium (catalogue) 

Continental Shift/ For R.EAL 

Bonnefantenmuseum, Maastricht, The Netherlands (catalogue) 

Home 

Art Gallery of Western Australia, Perth, Australia 

Micropolitiques 

Le Magasin, Grenoble, France (catalogue) 

South Meets West 

Kunsthalle Bern, Switzerland (catalogue) 

HB First View 

Camouflage, Johannesburg, South Africa 

1999 

Zeitwenden 

Kunstmuseum Bonn, Germany (catalogue)

Bodies of Resistance 

Real Art Ways, Hartford, Connecticut, USA 

South Meets West 

National Museum, Accra, Ghana (catalogue) 

Carnegie International 

Pittsburgh, Pennsylvania, USA (catalogue) 

Five Continents and One City 

Museo de la Ciudad de Mexico, Mexico City (catalogue) 

Patentia 

NIFCA Stockholm, Sweden 

A3HB 

Camouflage, Brussels, Belgium 

Extra and Ordinaire 

Printemps de Cahors, Cahors, France (catalogue) 

Following and to be Followed 

Le Consortium, Dijon, France 

High Red Centre 

Centre for Contemporary Art, Glasgow 

Power 

Galerie für Zeitgenössische Kunst, Leipzig, Germany (catalogue) 

Traffique 

S.M.A.K., Ghent, Belgium (catalogue) 

Global Conceptualism: points of Origin 1950s-1980s 

Queens Museum of Art, New York, USA (catalogue) 

Entrée Libre 

(http://www.culture.fr/entreelibre/) 

1998 

Memórias Íntimas Marcas 

Instituto de Arte Contemporânea, Lisbon, Portugal 

Europa Afrika 

7 Triennale der Kleinen Plastik’ Südwest LB, Stuttgart, Germany (catalogue) 

Dark Continent 

Klein Karoo Arts Festival, Outshoorn

Odradek 

Bard Center for Curatorial Studies, Annadale on Hudson, New York 

City Canibal 

Paço Das Artes, São Paulo Bienal, São Paulo, Brasil (catalogue) 

Cross/ing 

Track 16 Gallery, Santa Monica, University Galleries, Florida Atlantic University, USA (catalogue) 

Medialization 

Edsvik konst kultur, Sollentuna, Sweden (catalogue) 

1997 

Alternating Currents 

Johannesburg Biennale, South Africa (catalogue) 

Cross/ing 

University of South Florida Art Gallery, Tampa, Florida, USA (catalogue) 

Unplugged II 

Rembrandt van Rijn Art Gallery, Market Theatre, Johannesburg, South Africa 

October 

Norwich School of Art and Design Art Gallery, Norwich

Purple and Green 

Pretoria Art Museum, Pretoria, South Africa 

1996 

Inclusion Exclusion 

Kunstlerhaus, Graz, Austria (catalogue) 

Simunye (We Are One) 

Adelson Galleries, New York, USA 

Colours 

Haus der Kulturen der Welt, Berlin, Germany 

Egoists at Work 

Forum Stadtpark, Graz, Austria 

Crapshoot 

de Appel, Amsterdam, The Netherlands (catalogue) 

Unplugged 

Rembrandt van Rijn Gallery, Market Theatre, Johannesburg, South Africa 

The Young and the Restless 

Sandton Art Gallery, Sandton, South Africa 

1995 

On the Road 

Delfina Studios, Africa95, London (catalogue) 

Mayibuye iAfrika 

Bernard Jacobson Gallery, London 

Outside/Inside 

Johannesburg Biennale, Johannesburg Art Gallery, South Africa (catalogue) 

Vita Art Now 

Johannesburg Art Gallery, South Africa 

1994 

Vita Art Now 

Johannesburg Art Gallery, South Africa 

Quinta Bienal de la Habana 

Centro Wifredo Lam, Havana, Cuba (catalogue)

Un Art Contemporain d’Afrique du Sud 

curated by Jean-Yves Jounnais, Galerie de l’Esplanade, La Defence, Paris, France (catalogue) 

VI Biennale d’Arte Sacra 

San Gabriele, Teramo, Italy 

Identita e Rappresentazioni Cartografiche 

curated by Teresa Macri and Lucilla Meloni, Museo Nazionale Preistorico Etnografico Luigi Pigorini, Rome, Italy 

The Netherlands Against Apartheid 

Amsterdam’s Historisch Museum, Holland (catalogue) 

Zuiderkruis 

Stedelijk Museum, Amsterdam, Holland (catalogue)

bibliography

2012

Masterclass

RACK, L'officiel Art, p.108-109, N#1, Paris

Alle origini morali dell'austerita

Le monde Diplomatique, Il Manifesto, p.3, Italy

2011

Visual Century

South African Art in Context, p.22, 27, Volume four 1992-2007, South Africa

Skulls in contemporary Art and Design

curated by Patrice Farameh, published by Farameh Media LLc, pp.152-155, New York.

Multiple

Art Review, December, introduced by Grayson Perry

Law and Art, Justice, Ethics and Aesthetics

Edited by Oren Ben-Dor, GlassHouse Book, England

Glasstress 2011

Eventi collaterali di La Biennale di Venizia, pp.126-131, Published by Marsilio, Venice, Italy

Wall Text, The Brick as metaphor in South Africa art and writing

by Sean O'Toole, Frieze, p.23, issue 141, London

Collection Vanmoerkerke

p.74-75, Edition Rispoli, Brussels

Contemporary Art - World Currents

by Terry Smith, p.231, 233, United Kingdom

Art&Agenda, Political Art and Activism

Edited by Robert Klanten, Matthias Hubner, Alain Bieber, Pedro Alonzo and Gregor Jansen, p.108-109, Published by Gestalten, Berlin

2010

Croci/Crosses

Inventario, Tutto e Progetto, 02, p. 49, Italy

Domino Canibal

a project by Cuauhtemoc Medina, published by Poligrafa, pp.102-131, Murcia, Spain

Part Four: The Union of Opposites

by Kendell Geers,p.24, Art SouthAfrica, Vol09 issue02 summer

Part Two: The Divine Body

by Kendell Geers, p.30, Art SouthAfrica, Vol.08 Issue 04 Winter

Politics of Art: From the EMST collection

National Museum of Contemporary Art, Athens, Greece

The Critics,The Curators,The Artists, Rotterdam Dialogues

p.201-202, Witte De With Publishers, Rotterdam

Still Edgy after all these years

Karen Rutter, p15, Sunday Times, South Africa

Kendell Geers

Leisure, p.84, L'Uomo Vogue Magazine, Italy

'Terrorist' pa Fredstokt

Guri Kulas, Klassekampen, p18-19, Norway

Art Brussels sous le volcan, la foire

Point de Vue, no 3224, p.35, Belgium

Brassage et investigations culturelles

Claude Lorent, Arts, La Libre Belgique, no 58, p.4-5, Belgium

Modem

Men's Firenze Milano Paris Fall, Winter 2010-2011 (cover+inserts)

Modem

Men's & Women's New York Los Angeles Fall winter 2010 (cover +inserts)

2009

:Ve News

140 Venice guide, pp.36-37 and cover, Venezia, Italy

Brussels Residents, Fractured, Quiet and Discrete

Katerina Gregos, Flash Art, p.69, No 269, Italy

The artist's political context

Gary Willis, Art is Mime, The key Issues concerning Contemporary Art, pp.66-69, Lambert Academic Publishing, Germany and U.S.A.

L'Italie a travers ses vins

Guido Francque et Fabian Scheys, p.123, Antwerp

Time Out London

Helen Sumpter, London

Fair trends: it's bling, but not as we know it

The Art Newspaper, Art Basel Miami Beach Daily Edition, p.2, Miami

Re:Print

Het Frans Masereel Centrum, Mechelen, Belgium

The City according to Art

Brussels, J.J.Charlesworth, Art Review, Issue 35, October, London

Film.Video.New Media at the Art Institute of Chicago: With the Donna and Howard Stone Gift

Museum Studies 35,1, United States

Los Flamencos no Comen

Revue d'Art et Recherche, Numero 13, p.2,5,11,15,25,45, Nimes, France

Fonction Critique, quelques apparitions diversement manifestées

publié par Aperto, pp.32-34, Montpellier, France

Kendell Geers, l'opera come processo di vita

Corriere del Trentino, p12, Italy

Terrorisme als thema en praktijk in de kunst

De Nieuwe Maatschappij Arti et Amicitiae, Franck Gribling, p.3, Amsterdam

2008

Lust For Life

BC Magazine, Autom 2008, N.04, pp.68-69, Paris

Wall Rockets

Published by The FLAG Art Foudation, Curated by Lisa Dennison, p.135, New York

Cartels à l’ombre du cartel

René Solis, p.23, Libération, France

Pecado, Artes Plasticas

Ocio, La guia para vivir la ciudad, p.30, Mexico City

Sommaire des actualités

Art Press no 352, p.85, Damien Sausset, Paris

Mexico: Expected/Unexpected

collection Isabel et Augustin Coppel, p.77, Edition de la Maison Rouge, Paris

Le Livre des Vanites

Elisabeth Quin, p. 319 and p. 331, Edition du Regard, Paris

Brussels Sprouts

by Miles Socha, W Magazine, pp.176-177, November, United States

Portfolio Kendell Geers

Mouvement l’Indisciplinaire des Arst Vivants, pp.68-73, N.47, Paris

Kendell Geers

Paris by Serge Leblond, L’Uomo Vogue Magazine, Edizioni Condé Nast, p.210-211, N°395, Milano

International de rigueur

Beaux Arts Magazine, p.64, N°293, Paris

A Magazine

Curated by Riccardo Tisci, A Magazine #8, p.164, Antwerp, Belgium

De Wim Delvoye a Francis Alys, 500 Chefs d’Oeuvres de L’Art Belge

p. 44-45, Edition Racine, Collection réalisée en collaboration avec Le soir, Bruxelles

‘Soy un Anticristo, soy un Anarquista’ (La logica de la provocacion en la obra de Kendell Geers)

by Javier Panera, art.es International Contemporary Art, pp.38-43, N°27, Spain

Exposiciones Nationales, Kendell Geers, Irrespektiv

DA2, Salamanca, ArtNotes, p.40, N°22, Spain

Epreuves Corporelles et Visuelle

La Libre Belgique, p.20, 13 Octobre, Belgique

Un mois, un lapin, un artiste

Playboy Magazine, p.31, Mars , Paris

BC, Be contemporary Magazine

Winter 2008, pp.106-107, Paris

Livres Panorama

Beaux Arts Magazine, p.40, Janvier, Paris

Expositions/Reviews

Art Press, pp.83-84, Numéro 341, Paris

2007

On the Encoded Strategies of Revolution

by Ines Gebetsroither, Spike, pp.62-70, Vienna

Résistance et Spéculation

Le Journal des Arts, p.17, Numéro 265, Sept-Oct, Paris

Kendell Geers, IR-RESP-EKT-IV, Het Boek

Hans Theys, <H>ART, September, Belgium

Kendell Geers s'engage, 1000 Expos de L'été

Beaux Arts Magazine, p.80, Juillet-Août, Paris

Biennale de Venise, La pluie et le beau temps

Le Journal des Arts, p.12, N°263, Paris

De Bom onder het artistieke establishment

Gonzo, pp.18-21, #81, July-August, Belgium

52nd Venice Biennial

Katerina Gregos, FlashArt, pp.63-64 and 81, N°255, July-September

Gentse Feesten, Kunst op 10 days Off met The FucKingFucks, Veel Gefuck, Weinig Seks

De Morgen, 20 july, p.44, Belgium

La descente aux enfers

par Charles Gohy, L'Art Même, N°34, pp.34-35; Belgium

Ici et maintenant

Joeri De Bruyn, A+ Magazine, n°206, juin/juillet, Belgium

Die Frage nach der richtigen Subversion

IZ3W, pp.30-31, July/August, Germany

Printed Project, 'Unconditional Love'

Curator/Editor Kim Levin, Postpopfuck, pp.59-64, published by Visual Artists Ireland, Ireland

Het Alfabet Der Grenzen

Gerrit Vermeiren, <H>ART, #21, May, Belgium

Pourquoi ils sont nietzschéens

Philosophie magazine, p.69, n°6, Paris, France

2006

I, Terrorealist

by Kendell Geers,Uovo, pp.334-367, Issue/12, Italy

La Violence Innommable

Nicolas Exertier, pp.58-77, Parachute 124, Violence Unlimited, Québec

First Works by 362 Artists

edited by Francesca Richer and Matthew Rosenzweig, p.143,Thames and Hudson, London

Schijn-Heilig

Blend Magazine, pp.18-19, April, The Netherland

Time after time

Brooks Adams, Art in America, p.61, February, New York

Les Vanités dans l'art contemporain

sous la direction d'Anne-Marie Charbonneaux, pp.182-183, Flammarion, France

The Flip Book Show

FotoMuseum Magazine, pp.26-27+cover, Antwerpen, Belgium

2005

I, TerroRealist

by Kendell Geers, Art in the Age of Terrorism, pp.114-129, Edited by Graham Coulter-Smith and Maurice Owen, PHP, London

Recipe for Making Plastic Explosives from Bleach

Artistaste,pp.80-83, Published by Toohcsmi, uitgevers, Belgium

La sainte Vierge

A Magazine curated by Haider Ackermann, #3, pp.136-137, Belgium

Cut the Krap

an interview with Kendell Geers by Jérôme Sans, pp.146-167, N.10, 00 People Uovo Magazines, Italy

N.Drawings

pp.22-39, 00 People, Uovo Magazines, Italy

30 Individual Exhibitions, Contemporary Art in Belgium 2006, Bart De Baere & Henrz Bounameaux

pp.150-153, Best of Publishing, Belgium

La limite et la dynamique de son pouvoir, Doris van Drathen; Les vanités dans l'art contemporain

sous la direction d'Anne-Marie Charbonneaux, pp.182-183, Flammarion, Paris

Ethics and Aesthetics, Art and Terror

Artlies, #45,Winter 2005, Texas, United States

Il Détournement dal Sudafrica

Il Manifesto, n°207, Sabato 27 agosto, Italy

Outer Limits

reviewed by Edwin Pouncey, Wire, Issue 254, April, London, United Kingdom

Philosophy

Federico Chiara, Vogue Italia, N°656, p.80, April , Italy

SA Art ‘Lacks passion, pride’

by Celean Jacobson, Sunday Times, 8 May, Johannesburg, South Africa

Il Cavaliere Azzuro per una critica dell’estetica Berlusconiana

Marco Senaldi, Flash Art, n°251, pp.106-109, April-May, Italy

"Dionysiac" sans plaisir

Liberation, by Hervé Gauville, 26 and 27 February, Paris, France

Art Mixed with double meanings, dark humor

The Aspen Times, by Stewart Oksenhorn, Aspen, United States

Utopian Hell

Aspen Daily News Time Out, by Vanessa Pierce, pp.4-5, Febr. 17-23, United States

Bloomfield Hills Michigan

Matthew Biro, Art Papers, pp.51-52, Jan/Feb, Atlanta

Dangerous Liaisons

Katerina Gregos, Contemporary Art Magazine, pp.22-25 +cover, n°70, London

Redpornographicmisery

Belio, pp.026-030 and pp.109-110, Summary 016, Madrid

2004

Interview in Time Out

Athens, p.67, June

Le Terrorisme de Kendell Geers

Nicolas Exertier, Art Presence, pp.12-19, n°52, Paris

Albi

Art Press, Evence Verdier, pp. 77-78, no 305, Paris

Blinded by the light

I-D Magazine, p.84, Issue No 247, London

Cumulus

Aus Europa, Parkett, p.176, N°70, Zürich

Visions of Paradise

Nick Dawes, Art Southafrica, p.75, Vol02 issue04, Winter 2004

Seasonal Unrulines, a dialogue between Kendell Geers and Walter Van Bierendonck

JANUS Magazine, 16/04, pp.34-38, Antwerpen, Belgium

A Provocateur and Insider's Outsider from South Africa

Kim Levin, The Village Voice, 26th April, New York

Kunstvermittlung im System Kunst

Pierangelo Maset, The educational complex, pp.30-33,Kunstmuseum Wolfsburg, Germany

Very New Art

pp.81-82, BT, April, Vol.56, N°847, Japan

Synopsis 3

Fabian Stech, Kunstforum International, Bd.169, pp. 318-319, Germany

Conversation between Kendell Geers, Daniel Buren and Nicolas Bourriaud

Catalogue Kendell Geers, Rome : MACRO, Milan : Mondadori Electa Spa, p. 44-66 : italien, p. 70-95 : anglais

Kendell Geers en conversation avec Daniel Buren et Nicolas Bourriaud

With The Effectiveness of a Tank, in cat. Next Flag, p. 151

2003

Istanbul and elsewhere

Emma Bedfordn, Art Southafrica magazine, p.11, Vol02, Issue02, South Africa

Istambul Biennale

Joerg Bader, Kunstforum International, Bd.167, pp.335-357, Ruppichteroth, Germany

Dreaming Red, Creating Artpace

Linda Pace and Jan Jarboe Russell, pp.174, Chrissie Iles, ArtPace, San Antonio

Redefining the African Diaspora

Holland Cotter, The New York Times, New York

Héritages, L'exposition du grand Palais Gauguin (Tahiti)

Beaux Arts Magazine Hors-Série n°7, pp.70-71 and p.79, Paris

Ultravista

Arte, la VIII Biennale di Istanbul, Alias #37, p.6, Italy

Coollustre,Weather Everything Dramatically Different, 3 expositions d'Eric Troncy

Les presses du réel, Collection Lambert en Avignon, France

Kendell Geers

Colin Richards, Art Southafrica magazine, pp.64-65, Vol02, Issue01, South Africa

Salon des refusés

Public art projects never realized, Roberto Pinto, Venice XXD11, Uber Kunst und Kunstler der Gegenwart, Ein NachLesebuch zur Documenta 11

Die Note beim Nation building”- Sudafrika im Fokus von Kendell Geers, David Goldblatt, Santu Mofokeng, Alfredo Jaar und Steve McQueen

pp.32-35 and Tot oder lebendig Die Entdeckung einer Arbeit auf der Documenta 11, pp.104-107, Germany

Sand in the Vaseline

Art Southafrica, interview with Jerome Sans, pp.28-34, Vol.1 #3, South Africa (Cover)

Look back in anger

ArtReview, Godfrey Barker, Vol.LIV, pp.33-34, London

Hackers Vaillants

Liberation, Elizabeth Lebovici, p.30, Paris

Willkommen im Wunderland, Die Utopie des Zuhause, Reporter ohne grenzen

Fotos fur die Pressefreiheit 2003, pp.30-37, Berlin

Suburbia I

Quaderns d'arquitectura i urbanisme n#237, pp.48-51, Barcelona

Hardcore, Desir de Politique

Emmanuelle Lequeux, Beaux Arts Magazine, #226, pp. 48-49, Paris

Action Directe?

Les Inrockuptibles, Jade Lingaard et Jean-Max Colard, #380, pp. 36-40, March, Paris,

Art:Preview

Time Out, Martin Coomer, #1697, p.45, Febr-March, London

S is for…

What’s On in London, Jim Healy, p.23, London

Reviews/Books

Art Southafrica, Emma Bedford, p.63, Vol.1 #2, South Africa

Post Production

Nicolas Bourriaud, Lukas and Sternberg, p. 9, New York

Postculture

Teresa Macri, Meltemi, pp. 142-145, Rome, Italy

Waiting for the Barbarians, Der Hund ist fur die Hyane eine Kolanuss: Zeitgenossische Kunst und Kultur aus Afrika

Jahresring #49, Project pp. 106-111, Oktagon, Koln

The Devil’s Rope, A Cultural History of Barbed Wire

Alan Krell, Reaktion Books, pp. 113, 114, 172-3, 175, London

2002

20 Artworks

Crash ,#23, p. 61, Paris

 

The Passenger; Kendell Geers’ art of terror, Joseph Whitt

 

Art Papers #26.6,pp. 22-27, Atlanta (Cover)

 

Seven from Documenta, Scott McLeod

 

Prefix Photo, pp. 26-43

 

Kendell Geers, Francesca Pasini

 

Artforum XLI No.1 p. 211, New York

 

Die Dokumenta 11

 

Kunstforum #161, Ruppichteroth Germany, pp. 268, 384

 

Kendell Geers, Jerome Sans

 

Tema Celeste #92, pp. 44-47 (Cover) , Milan

 

Kendell Geers, What is Art (Today); qu’est-ce que l’art (aujourd’hui)

 

Beaux Arts Special, Edition 2002, pp. 124 - 127, Paris

 

Afrikan Psycho, Jean-Max Collard

 

les Inrockuptibles #340, pp. 76 - 77, Paris

 

Trauma, Paul Tebbs

 

Contemporary, pp. 94-95, London

 

Paradoxes de la Mondialisation, Catherine Francblin

 

Artpress Special Numero # 22, p. 165

 

Authentic/Ex-Centric, Conceptualism in African Art, Salah M. Hassanand Olu Oguibe

 

Biennale de Venezia, Forum for African Art, New York

 

Video: Un Art Contemporain, Francoise Parfait

 

Editions du Regard, pp. 166, 226, 227, 242, 246, Paris

 

Art and Artifact, The Museum as Medium, James Putnam

 

Thames and Hudson,p. 108, London

 

Making whiteness strange, Liese van der Watt

 

Third Text 56, pp. 44-89, London

 

Infinite Justice, Eric Troncy

 

Les Editions du Reel, pp. 32-43, Dijon

 

2001

 

Skultur-Biennale 2001 im Kreis Steinfurt, Claudia Herstatt

 

Kunstforum#157,p. 421, Ruppichteroth Germany

 

GI-Joe Attitude, Ch. Laubard & B. Ramade

 

Technikart #54, pp. 60 - 64, Paris

 

Where Angels Fear To Tread

 

The Guardian Guide

 

Review, Sarah Kent

 

Time Out London

 

2 Berlin Biennale

 

Kunstforum #155, p. 300, Ruppichteroth, Germany

 

Monster sehen dich an, Holger Liebs

 

Süddeutsche Zeitung # 94

 

Kratzen, wo es nicht juckt, Interview with Otto Neumaier

 

Frame #06,pp. 94-99, Vienna

 

The Newest Avant-Garde, Barbara Pollack

 

Artnews Vol 100/#4,pp. 124 - 129, New York

 

Durch den Tunnel der Gewalt, Ruth Handler

 

Art das Kunstmagazin

 

Kendell Geers: Timbuktu, Dieter Buchart

 

Kunstforum #153, p. 396,Ruppichteroth, Germany

 

Der melancholische Schrecken, Nikolai B. Forstbauer

 

Stuttgarter Nachrichten

 

2000

 

3 Raume – 3 Flusse

 

Kunstforum #152, p. 336, Ruppichteroth Germany

 

Landmines in the Gallery, Interview with Jerome Sans

 

Trans>arts.cultures.media# 8, pp. 268-274, New York

 

Reading the Contemporary- African Art from Theory to the Marketplace, Okwui Enwezor and Olu Oguibe

 

MIT press, Cambridge, Massachussetts

 

There’s a Bomb in This Exhibition: Kendell Geers charged, Ruth Kerkham

 

Parachute #99, pp. 30-40, Montreal

 

The Art of the Phoenix, Interview, Christine Macel

 

Art Press #257, Paris, pp. 28-33

 

Ex Africa semper aliquid novi, Ludovic Fouquet

 

Etc Montreal, p. 59 - 61 Montreal

 

Artiste du Mois, Catherine Francblin

 

Beaux Arts Magazine, p. 27, Paris

 

Micro Politiques

 

Parpaings #10, pp. 20-23, Grenoble

 

Ghetto Blaster, Jade Lindgaard

 

Les Inrockuptibles, #228, pp.56-57, Paris

 

Video Impressionante, Michel Nuridsany

 

Figaro

 

Scenes de la destruction et autres images de la souffrance, Philipp Dagan

 

Le Monde, p.23, Paris

1999

 

Contemporary African Art, Sidney Littlefield Kasfir

 

Thames and Hudson, p.165, London

 

Review, Flash Art

 

Vol 32 # 209, p.118, Milano

 

Kendell Geers, Katerina Gregos

 

Contemporary Visual Arts, issue 25, p. 56, London

 

Cityscape Johannesburg, Larie Firstenberg

 

Flashart #208, pp. 69-70, Milano

 

Extra et Ordinaire, Evelyne Jouanno

 

Flashart, Milano

 

Review 99, Katerina Gregos

 

Noticias ARCO #15, p. 8, Madrid

 

Trafique, Renate Puvogel

 

Kunstforum #146, p. 430, Ruppichteroth Germany

 

Review

 

The Art Newspaper #94, pp. 66

 

Review, Sarah Kent

 

Time Out London, p. 55, 30 June-7 July

 

Video et photographie scellent leurs noces au Printems de Cahors, Michel Guerrin

 

Le Monde, June 23, Paris

 

Portrait des Künstlers als Voyer und Exhibitionist, Otto Neumeier

 

Noema #51, pp. 46-51

 

Geordende revolte in Glasgow, Ross Birrel

 

Metropolis M #2, pp. 32-33, Amsterdam

 

7 Triennale de Kleinplastik Europa – Afrika, Sigrid Feeser

 

Kunstforum #143, p. 398, Ruppichteroth, Germany

 

Performative Recollections: An interview with Artists Olu Oguibe and Kendell Geers, Laurie Firstenberg

 

Chicago Art Journal, pp. 102-108

 

High Red Center, Elisabeth Mahoney

 

Art Monthly # 224, pp. 27-29

 

1998

 

South Africa, Cumulus, Hamza Walker

 

Parkett #52, p. 177

 

CREAM, Hou Hanru et al

 

Phaidon Press, pp 136-139, London

 

Art of Darkness: Darkness of Art, Clive Kellner

 

NKA, #9, Cornell University, pp. 68–69, New York

 

Cross/ing: Time, Space, Movement, Matthew DeBord

 

Flash Art, p. 80

 

Printmaking in a Transforming South Africa, Philippa Hobbs and Elizabeth Rankin

 

David Philip Publishers, pp 111, 120, 123-4, Cape Town and Johannesburg

 

Altered States: Die Kunst des Kendell Geers, Okwui Enwezor, Iklusion-Exclusion

 

DuMont, pp. 202-205, Köln

 

1997

 

Review, John Peffer-Engels

 

African Arts, pp. 75-77

 

Review, Pascal Lampert

 

Metropolis M, #4, p. 61

 

Art in South Africa, The Future Present, Sue Williamson and Ashraf Jamal

 

David Philip Publishers, Cape Town and Johannesburg, pp. 9, 15, 58-61, 64

 

1996

 

Africus, The Johannesburg Biennial, A Perspective David Koloane

 

African Arts, pp. 50 -56

 

Review, Dierk Schmidt

 

Springer, p. 68

 

Review, Tilman Baumgärtel

 

Springer, pp. 68-69

 

Aperto, Lorna Ferguson and Thomas Mulclaire

 

FlashArt, pp. 89 – 91, Milano

 

Crapshoot, Stuart Morgan

 

Frieze, # 29, pp. 64-65

 

Art in Review, Holland Cotter

 

New York Times

 

Moving In, Okwui Enwezor & Octavio Zaya

 

FlashArt, pp. 84-89, Milano

 

Why Have There Been No Avant-Garde African Artists?, Candice Breitz

 

Atlantica, #11, pp. 52-64/145-157

 

Retaining This Fire, Colin Richards

 

Atlantica, #11, pp. 31-44 / 132-144

 

Occupied Territories: Power, Access and African Art, Okwui Enwezor

 

Frieze, pp. 37-41

 

1995

 

Picturing Health and Illness, Sander L Gilman

 

John Hopkins University Press, pp. 182-3, Baltimore

 

Report from Johannesburg Towards a World-Class City?,Thomas McEvilley

 

Art in America, pp. 45-49

 

Inside Out, Ruth Rosengarten

 

Frieze, pp. 43-49

 

Biennial, Ruth Rosengarten

 

Artnews, p. 168

 

South African Art - Out of Time, Benjamin Weil

 

Flash Art, pp. 74-76

 

1994

 

Motho Ke Motho Ka Batha Babang, Teresa Macri

 

Virus, pp. 34-35, Cape Town, South Africa

 

Het Oproer Van De White Boys, Fred de Vries

 

Elsevier, pp.104-107, Amsterdam

 

Crossing The Boundaries: Two Examples in South African Art, Benjamin Weil

 

Atlantica, Number 8, pp. 19-27, 130-134

 

Con - Artist at the Louvre, Michael Green

 

You Magazine, pp. 139-140

 

Getting into Geers despite static, Anthea Bristowe

 

Business Day, p.14(Reprinted in Art Ventilator, p.51, Johannesburg, September 1994)

 

Two Artists who are Legends in their minds..., Hazel Friedman

 

The Star Tonight, p. 3, (reprinted in Art Ventilator, Johannesburg, p. 52, 1994 September

 

The Hottentot Venus, Jean-Yves Jounnais

 

Art Press, pp. 33-40, Paris

 

Separate and Equal, Andrew Solomon

 

The New York Times Magazine, pp. 44-89, New York

 

Sesta Biennale d'Art Sacra

 

La Passione di Cristo e la Guerra, pp.116-119, editoriale Eco srl, San Gabriele, Italy, 1994

 

Exposure, Andrea Vinassa

 

The London Sunday Times Magazine, p. 18, London

 

The 9 Cards of Chameleon Geers, Stephen Laufer

 

Weekly Mail, p.11, Johannesburg

 

1993

 

Art For Africa?, Andrea Vinassa

 

House and Leisure, pp. 34-35, Milan

 

About Face Aspects of Art History and Identity in South African Visual Culture, Colin Richards

 

Third Text, pp.101-133, London

 

Different and Alike, Daniel Herwitz

 

Modern Painters, London, pp. 76-79

 

The Ten Most Intriguing South Africans

 

Femina, pp. 64-71, Cape Town

 

1989

 

Resistance Art in South Africa

 

Sue Williamson, David Philip, p. 69, Cape Town

writings by the artist

2010

 

The Divine Body, part two,Column by Kendell Geers

 

p.30, ArtSouthAfrica Magazine, winter, South Africa

 

Apropos South Africa, Kendell Geers

 

.ZA Gionane Arte dal Sudafrica, an exhibition curated by Marlene Dumas, Lorenzo Fusi, Kendell Geers, Bernie Searle, Minnette Vàri, Sue Williamson, Palazzo delle Papesse, Sienna (Catalogue)

 

2007

 

I, Terrorealist, One Million and Forty-four years (and sixty three days)

 

pp.130-143, published by SMAC Gallery, Stellenbosch, South Africa

 

2005

 

I, TerroRealist, Empire, Ruins+Networks, the transcultural agenda in art

 

edited by Scott McQuire and Nikos Papastergiadis, published by Melbourne University¨Press, pp.122-141, Australia

 

I, TerroRealist, Art in the Age of Terrorism

 

edited by Graham Coulter-Smith and Maurice Owen, published by Paul Holberton publishing, pp.114-129, London

 

2003

 

The Work of Art in the State of Exile, Poetic Justice

 

8th Istambul Biennial, pp.048-057, September

 

History, Fleshed Out

 

Minette Vari, Museum of Art Lucerne, pp.9-12/89-92, Switzerland

 

The Plague is me

 

Onestar press, Paris, France, December

 

The Work of Art in the State of Exile

 

Milici Tomic, 'National Pavilion', pp.0-23, Venice Biennale

 

2002

 

Scenario, The Queel

 

Metronome 8B, p. 71, London

 

Intersections

 

RMIT Gallery, BHPBilliton

 

Undiscovered at 82

 

Robert Hodgins, Tafelberg Publishers, pp.62-69, Cape Town

 

The Affluence and the Effluence, The Bastard

 

Metronome No 7, 2001, pp. 193-199

 

2001

 

The Affluence and the Effluence / Affluenza ed effluenza

 

Racconti d’identita, La Generazione della Immagini 7, pp. 88-107, Comune di Milano, Milan

 

What is the Artist's Role Today?

 

Jerome Sans and Marc Sanchez, p. 66, Palais de Tokyo , Paris

 

Guest Editor

 

Documents Sur l’Art, Dijon, France (Forthcoming)

 

1999

 

Statement en beeldbijdrage

 

Metropolis M Nummer 2, Amsterdam, April – May pp. 29-32

 

Project Pages

 

Atlantica, Number 22, pp. 56-65

 

1998

 

The Horror, The Horror, Stopping The Process? Contemporary views on art and exhibitions

 

NIFCA, pp. 163-173, Helsinki, Finland

 

Cover

 

Atlantica, Number 22

 

The Horror, The Horror

 

The CAPC Bordeaux, France May

 

1997

 

Contemporary South African Art - The Gencor Collection

 

Jonathan Ball Publishers, Johannesburg

 

1995

 

First Johannesburg Biennial

 

ArtPress, pp. IV-V, May

 

Fuck Art: The Prose of a Con-Artist

 

National Sculpture Symposium, Pretoria Technikon, 4 July

 

For or Against, South African Association of Art Historians National Conference

 

Wits University, 7 July

 

1994

 

Third World Bites Back

 

Art Ventilator, pp. 12-15, Johannesburg, September

 

1990

 

Art as Propaganda Inevitably Self-Destructs

 

Art From South Africa, pp. 23-24,MOMA, Oxford

artist's books

2009

 

Guest editior of Be Contemporary Magazine

 

N.7, Summer, 184 pages, France, June

 

7+1 Project Room, The Terrorist's Apprentice + T.W.(Rock)

 

Marco Museo de Arte Contemoranea de Vigo, Vigo

 

2008

 

PostPunkPaganPop

 

Published on the occasion of the show 'PosPunkPaganPop' at de Pury & Luxembourg in Zürich, 2 June-16 August

 

2004

 

Between Good and Evil

 

published by Center for Contemporary Art, CCA Kitakyushu, printed in an edition of 1000 copies, with 30 copies signed and numbered by the artist, 162 pages, ISBN-4-901387-25-1, Japan

 

Point Blank

 

published by Imschoot Uitgevers, printed in an edition of 1000 copies, with 30 copies signed and numbered by the artist, ISBN 90 7736 2126, Ghent, Belgium

 

2003

 

The Plague is me

 

published by Onestar Press, First Edition limited to 25 numbered copies, 20 copies deluxe limited edition of the book accompanied by a signed and numbered multiple by the artist, 145 pages, Paris, France, Decembre

 

1995

 

Argot

 

Published by Chalkham Hill Press, 30 copies signed and numbered by the artist

monographs

2011

 

Fin de Partie

 

Published by Galleria Continua, Beijing

 

2007

 

Irrespektiv

 

designed by Base design and published by BOM Publishers in cooperation with SMAK (Ghent), B.P.S.22 (Charleroi), Baltic (Gateshead), MOCA (Lyon) and MART (Trento), 296 pages, ISBN 978-84-934879-5-9, Barcelona, August

 

2005

 

Fingered

 

published by Tikiriki Publications, Brussels, Belgium, edited by Kurt Vanbelleghem, 107 pages, ISBN 90 7736 233 9, Belgium, February

 

2004

 

Kendell Geers; The Forest of Suicides

 

published by MACRO, Museo D’Arte Contemporanea, 103 pages, ISBN 8837030509, Roma, May

 

2002

 

My Tongue in Your Cheek

 

published by Les presses du Réel, Réunion des Musées Nationaux, 240 pages, ISBN 2-7118-4374-2, France, January

 

1995

 

Argot

 

Published by Chalkham Hill Press, printed in an edition of 1000 copies, Johannesburg